J.D. Salinger Writes Fan Fiction!

Out of all the mandatory reading lists in high school, I think the most popular novel by far is J.D. Salinger's "Catcher in the Rye." I first read that book in 6th grade and didn't get it; reread it 9th grade and loved the book. Holden Caulfield is one of the most memorable teenage anti-hero's in literature. And despite all his angst and hypocrisy, he is strangely likable and resonant with adolescences. For 9th grade literature class, I remember illustrating one of the scenes from the novel into 6-panels. Now that I think of it, it was one of my first "doujinshi." Lol.

Supposedly, J.D. Salinger came out of seclusion after 30 years to rave about the new Terminator movie. I have not watched any of the Terminator franchise though all of my friends have given it good reviews. I may be tempted to go watch Terminator Salvation because Salinger praises it so much. In fact, I was not even aware that he was still alive, but he is 90 and thriving, it seems. He even allowed scholars to access his never-been-published works. (Why was he hanging on to them?) Amongst them are more than TWO DOZEN short stories, all of them are supposedly fan fiction on Terminator though of course not your typical run-of-the-mill sci-fi fanfic. His house is decorated with Terminator posters, figures and collectibles. In other words, J.D. Salinger is a Terminator otaku.

Finally. A respectable author (one that is one every high school reading list) coming out of the closet as a fan fiction writer. All the more to read Salinger.

Check out the article at theonion.com http://www.theonion.com/content/news/new_terminator_movie_brings_j_d?cnn=yes

Les Miserables Musical - Eponine and Marius

Eponine's Errand by ~wishluv on deviantART

I first saw Les Miserables on Broadway in 1999, the summer between 8th and 9th grade. Though Cats was my first musical, Les Mis was my first musical on Broadway. I remember everything about that day so vividly. The musical is a whopping 3 hours or so, and I remember for the first half of the show, I had absolutely no idea who was who and what was going on. I think somewhere in the middle of young Cosette's "Castle on a Cloud," I realized that I saw an anime when I was really young of the story of "Jean Valjean" so I was familiar with Cosette's story. What really arrested my attention was after the 9 year time leap to Paris in Act 1, where we are first introduced to the revolutionary students and crew. There was a girl a with an amazing belting voice (not the typical heroine soprano), and I was completely mesmerized. I love the stage dynamics and the rotating stage, the way refrains are reused to create unity in the whole musical and how all the characters are doing there own thing. "One Day More" I think is THE grandest, most exhilirating pre-intermission song ever ("Defying Gravity" from Wicked is up there as well), and I was completely hooked and sat at the edge of my seat for the rest of Act 2, especially all the Eponine parts (and I had thought her to be a minor character previously, so I was pleasantly surprised at how her moments completely steal the show). "On My Own" is probably in my top 10 favorite songs of all time, and the refrains are recycled throughout the show, first with Fantine's Death and again in the Epilogue with Jean Valjean's impending death. The harmonization with the angel Fantine and Eponine with Jean Valjean is one of the most haunting moments in the musical, and they sing my favorite words (in a musical ridden with beautiful lyrics):

"To love another person is to see the face of God."

As you all know, the 1985 Claude-Michel Schönberg and Alain Boublil musical "Les Miserables" was based off the collosal novel of the same name by Victor Hugo in 1862. I read the whopping 1000-something pages in three days, and it was one of the most depressing things I've ever read in my life. Les Mis is one of the few cases where I prefer an adaptation over the original (likewise with the Phantom of the Opera). Don't get me wrong, the novel is a masterpiece, and to truly understand the musical, it is important to read the novel, which sheds much light on many of the characters. You don't really understand Fantine's "I Dreamed a Dream" until you read Fantine's part in the novel. Relationship dynamics are a bit different too. In the novel, Marius lives in the apartment next to the Thernardiers/Jondrettes, and takes pity on Eponine more than anything else, whereas in the musical, Marius and Eponine are introduced to us as already being friends, and I think Marius truly mourns the death of a close comrade when Eponine dies. I was crying from "A Little Fall of Rain all the way to the Finale and encore that first time I saw it. My mother had been dozing off during the musical because she doesn't understand much English, and I remember being so irritated because I was trying to keep her awake before my dad noticed while trying to concentrate on the show. And then she woke up near the Finale and started crying as well. I asked, "Why are you crying? You slept through half of it." She replied, "Because everyone else is." Yes, Les Mis can reduce anyone to tears, young or old, whether or not you understand the plot. I bought the Les Miserables Original Broadway Cast CD and listening to it religiously and used to know all the lyrics by heart.

I have a weird hobby. Sort of like how I have a quest to collect all the versions of Pachelbel's Canon out there, I have a thing for collecting as many versions of Les Miserables possible. Unfortunately, there is no "perfect" version of Les Miz the Musical. I guess the fun is listening to all the versions and interpretations out there (and there is A LOT with all the different casts and international recordings). The Eponine I saw on Broadway was Kerry Butler, who is absolutely gorgeous and has an amazing voice; she was a perfect Eponine. She went on to Hairspray, Xanadu and other shows, becoming a Tony-nominated actress for her role in Hairspray. Lea Salonga (singing voice of Disney's Princess Jasmine and Mulan) is the perennial favorite as Eponine, though unfortunately, there is no formal CD recording of her though she partakes in the Tenth Anniversary Concert in 1995. I absolutely adore Lea Salonga and had the honor of seeing her perform as Fantine in the Broadway revial of the show in the summer of 2007 (a mostly disappointing revival otherwise). Lea's voice is known for its crystal clarity, and I got to take a photo with her. :) I would have loved to see her as Eponine though. Her version of "Little Fall of Rain" with Michael Ball (the best Marius) is the best rendition of the song. The "Complete Symphonic Recording" is unfortunately the only "complete" recording of Les Mis, and though it is awesome to have all the orchestration, the cast is not my favorite. For me, Colm Wilkinson IS Jean Valjean, just like Adam Pascal is Roger and Sarah Brightman is Christine Daae. The real jewel in the cast is Kaho Shimada as Eponine. Truthfully, it took me a while for her to grow on me. She was in the Japanese production, so supposedly, she had to learn English phonetically for the show. You can hear her accent here and there, but she gives a beautiful performance.

Eponine is such a versatile character because each actress can shed knew light on her where as Cosette will always be Mary-Sue Cosette. Kaho Shimada has one of my favorite portrayals of her character because she captures Eponine's vulnerability and pain in the soft nuances of her voice. Kaho is even more amazing in her native language, and her rendition of "On My Own" may be one of my favorites, and she hits all the notes without any vocal straining. People either love or hate original London and Broadway Cast Frances Ruffelle's Eponine. I personally am fond of it because it's the recording I grew up with. Tony winner Frances Ruffelle captures the waifish, street urchin nature of Eponine well, and she does have a strong, distinct voice that stands out in an ensemble, which I like, especially in "One Day More." Lea Salonga is everyone's favorite, though I'm not as fond of her Tenth Anniversary rendition of her "On My Own" as a recording I've heard of her on Broadway; she portrays a more bitter Eponine--but her voice is absolutely beautiful in "A Little Fall of Rain" with perfect chemistry with Michael Ball. My favorite seiyuu Maaya Sakamoto portrays Eponine in the 2003 Les Miserables production--unfortunately, there is no studio recording so the sound quality may not be perfect because it is a recording of a performance as the "Purple Cast." It is interesting to hear Maaya in a different register from usual-- I would love to see her acting. Her Eponine is more childlike (after all, she's only 16ish in the book), and you can really hear the raw heartache expressed in Maaya's voice--her "Little Fall of Rain" is absolutely beautiful as well because she uses her more Hitomi voice. People like Sutton Foster's Eponine as well, but though she is a great actress (as I saw in Young Frankenstein), she plays Eponine a bit too angry and bitter rather than as a wistful young girl in unrequitted love. I think the lyrics shed light that for Eponine, Marius is the one ray of happiness in her otherwise dismal and impoverished life. Even if she knows that he will never return her feelings to her, just being by his side is enough to sustain her and giver her some hope for the next day.

I can go on talking about Les Mis forever; it's one of my favorite subjects. Don't let me get started on how much I loathed Marius and Cosette initially. Luckily, Enjolras utters another one of my favorite lines to Marius who parades into the ABC cafe in the midst of his melancholic ruminations over Cosette: "Who cares about your lonely soul? We strive toward a larger goal, our little lives don't count at all!" Les Mis is so powerful because in the span of three hours of music and lyric, it can convey every sort of human emotion and theme conceivable to mankind.

I usually fluctuate between a more anime artstyle and more semi-realistic. Ever since my pressure sensitive tip on my Wacom Tablet pen broke, I've been tempted to buy an Intuos--I really want to see how it feels like. I hate drawing backgrounds and couldn't help dressing Marius in the colors of the Revolution, but I hope people can tell the picture is set in 19th century France because of it... or not. In both the book and novel, Eponine wears a tattered chemise and skirt. Her colorings are sort of based off the 2007 Les Miserables anime version of Eponine. (I'm dying to see the anime). It's amazing how little her costume has changed over time though. I wanted Eponine to seem catlike, wary, waifish and headstrong; she would never show her tears to Monsieur Marius' face, I believe. But she's always staring at his back while he's looking towards Cosette. Poor 'Ponine. The title of the artwork "Eponine's Errand" is from a song from the musical by the same name. Marius sees Cosette and falls in love with her at first sight. He asks his street savy friend, Eponine, to help him find Cosette. Eponine eventually finds Jean Valjean's house and realizes that Cosette is that same girl that was abused by the Thernadiers at the inn in Monfermeil. Back then, Eponine was dressed well and pampered before a strange twist of fate landed Eponine on the streets while Cosette grew to become a lovely young lady of the bourgeois class. Later on, Eponine disguises as a boy to be by Marius' side at the barricades. He sends her away to deliver a love letter to Cosette. She does so (followed by the pinnacle song of Act 2 "On My Own") and then returns back to the barricades and takes a bullet in order to save Marius' life. I think despite all, she was happy at the final moment to be able to die in the arms of the one she loves the most.

"Promise to kiss me on the forehead after I'm dead......I shall know." She let her head fall back on his knees; her lids fluttered, and then she was motionless. He thought that the sad soul had left her. But then, when he thought it was all over she slowly opened her eyes that were now deep with the shadow of death, and said in a voice so sweet that it seemed already to come from another world:"You know Monsieur Marius, I think I was a little bit in love with you." She tried to smile, and died.

- Victor Hugo, Les Miserables

New Trials Fanfiction Word Count and Length

Sakura and Syaoran Yawning by ~wishluv on deviantART
I was in the midst of figuring out word count and whatnot for something else and then it occurred to me: How long IS New Trials?

You may all have noticed a lack of consistancy in the length of chapters in New Trials. Arc One definitely has the shortest chapters and average around the 3,500-7,000 word mark. Arc 2 gets longer, I think averaging between 6,000 to 16,500 range. I think Arc 3 is the real monster. I may be wrong, but I think the longest New Trials chapter to date is Chapter 50: A Winter's Conundrum with a whopping 61,600 words. To be fair, I did divide the chapter itself up to 7 sections. The Arc 3 "Finale" chapter was 47,000 words. I think a little over 30,000 words is a good approximation for the length of current chapters (which will inevitably get longer towards the end of the arc).

For a good comparisons sake, "Harry Potter and the Sorceror's Stone" is said to be around 80,000 words, while Deathly Hallows is 200,000. I would think New Trials currently is over 800,000 words counting all the specials. An adult novel is usually around 100,000 words, YA a little shorter. So, those of you who have read all of New Trials, you have read about ten novels around the length of "Sorceror's Stone." Congratulations! That in itself is quite an achievement, especially those who claim they read the whole thing in a week or two.

I was the one who got in trouble at school for writing essays twice the wordcount. Sighs. I began writing this monster of a fanfiction at the age of 13 and it is ten years later now. Obviously, I have had months of dry spells where I was too busy with school to write New Trials; when I am on a roll, I can produce an approx. 30,000 word chapter a month 50-70 pages 11 font Arial in Microsoft Words. As a history and English double major, I have written multitude of essays and papers and short stories for my writing classes and New Trials has constantly been a side project whilst I have graduated from high school as a National Honor Student, college with honors and currently have a normal functioning work and social life. I try to tell my self, 8-10 "fan novels" in ten years is not too bad were I to ever try to pursue a writing career in the future while carrying out all the duties of life as a woman. Yes, I am having a quarter-life crisis when I have to measure my life in the number of words I have produced (alluding to "Seasons of Love" RENT).

Tee hee. New Trials seems to have made it to the Card Captor Sakura Fan History Wiki page under "Influential Works." I wonder who put it there. I don't think it's the longest fanfiction on fanfiction.net, but I'm sure it's up there. It's just ironic to me that this fanfiction has lasted this long, and it's all thanks to YOU, my readers. Arigatou, Arigatou, Arigatou!

Bleach Metal Alchemist 4-koma Omake

Sound Horizon - Ishidatami no Akeki Akuma

Sound Horizon - 石畳の緋き悪魔 (Ishidatami no Akeki Akuma)

Totally a random find, but how amazing is this band? This song is amazing, the way the song unfolds, first softly with the soprano vocals--I love when the male vocal harmonization come in and the violin solo is exhilirating. Very anime-esque. The PV, the instrumentals sort of remind me of Yuki Kajiura. I can totally see this song with Tsubasa Reservoir Chronicles. Hmm... Good AMV idea. Lol. I'm definitely checking out more stuff from this band.

Card Captor Sakura: The New Trials Anime Ending Theme

ストロボの空 - Sutorobo no Sora - A Sky of Strobes
Singer: Maaya Sakamoto
Album: Lucy
Composer: 菅野よう子 , - Yoko Kanno
Lyrics: 坂本真綾 - Maaya Sakamoto

It’s like the brightness that hits you right after coming through a long and narrow tunnel
For a while it’s nothing but a world of pure white
No one’ll wait for you to prepare yourself emotionally
When I noticed it had already begun, a tale with no end

I know
I know, the weakness I crushed in my hands
What was that sound that I heard at such a time?

Where is it coming from?
Who is calling me to stop?
That’s the sound of life that spilled out from the body, pulsating with certainty

Those who make dreams come true
Those who are loved
are fighting while accepting with all their being
Joys and equal pains

It’s like the brightness that hits you right after coming through a long and narrow tunnel
From between the clouds, the path of a new wind

What was that sound that unexpectedly knocked at my heart?

It’s okay to rely on someone
It’s okay to have more faith
The sound of life that continuously rings out as if to so whisper in my ear

The fact that rainbows disappear
The fact that there is moist ground
The miracles that I had always overlooked
were shining more beautifully than anything else

I felt like I had been forgiven for being born

Those who make dreams come true
Those who are loved
Are fighting while accepting with all their being
Joys and equal pains

It’s like the brightness that hits you right after coming through a long and narrow tunnel
For a while it’s nothing but a world of pure white

Lyrics from http://www.animelyrics.com/jpop/sakamoto/strobonosora.htm translation by Miyuki Mouse and Korean translation.


Over the years, I have received so many emails stating "I wish New Trials really is an anime or the Fourth Season of Card Captor Sakura," which made me very happy. I've always mentioned that if New Trials was an anime, I would use Utada Hikaru's "Sakura Drops" as the opening and Maaya Sakamoto's "Strobe no Sora" as the ending theme.

The first time I ever heard "Sutorobo no Sora" I immediately knew it was perfect for Card Captor Sakura because the song gives such an uplifting, refreshing feeling. First off, we already have the Maaya Sakamoto and Yoko Kanno tie-in, since the pair also did the CCS third season ending "Platinum." The song is from their collaboration album, "Lucy," which is one of my favorite albums. I mentioned before that "Koucha" from that album would be perfect as the New Trials Fourth Arc ending (if it were an anime). The album is beautiful because if you listen to the lyrics (or read the translations in my case), the songs unfold like a story of a girl's process of falling in love and heartbreak. Secondly, the lyrics of this song are truly beautiful, and I think everything about it simply embodies "Kinomoto Sakura," as you can read below.

I made this video because I got distracted while I was making the ending for Arc Four ending "Koucha," which is a bit bittersweet. I drew a ton of artwork for that video, but I had more fun making this video because it's sort a flashback to all of my favorite S+S moments. I am rather pleased with how the flashback sequence turned out. The video itself is inspired from Second Season ending "Honey" by Chihiro with Sakura watching the rain out the window. And the last frame from "Fruits Candy." Lol... This actually took longer to make than I anticipated because my computer is so slow. But it's my first time using Sony Vegas 9.0, a big improvement from the always crashing Windows Media Player. The scene itself probably happens in Arc 2 when you-know-who lives with you-know-who. Yes, it's Syaoran's house if you can't tell by the green curtains. keke... I also recreated a typical CCS preview using voice clips from Irino Miyu and Makino Yui which were very annoying to extract. I love Irino Miyu as a teenage Syaoran in Tsubasa Reservoir Chronicles. ^_^ hanyaan... Next will be Arc Four ending theme "Koucha." Anyhow, making this video was a trip down the memory lane for me and just proves the durability and longevity of our beloved Card Captor Sakura even after a decade (with a comeback in BluRay).

Full version of song:

Sakura and Syaoran Fanart

An old S+S fanart I drew back in high school, years ago. But it still remains a favorite because it makes me feel warm and fuzzy inside thinking of the carefree days of New Trials. It was difficult coloring because the original scan quality was so poor.


Sakura Syaoran Hug by ~wishluv on deviantART

Happy Easter!