Episode 2 is about as sweet as the first episode. I didn't really notice the background music in the first episode but this time around, I remember being pleasantly surprised by some of the bgm numbers. I'm not sure if the OST would become as iconic as the Card Captor Sakura bgms (which I think represents a series where the bgm itself embodies the series) or as in Tsbasa Reservoir Chronicle, which I think the soundtrack MAKES the anime.
Kobato is so adorable, I can't help loving her despite her ditziness and lack of common sense. Which is rare. CLAMP's heroes and heroines are usually a hit or miss for me ie. Hikaru from Magic Knight Rayearth may be one of my least favorite characters, though I have no idea why. I think she is so bright and optimistic, it grates my nerves. Then again, I adore Fuu and Umi is one of my favorite female CLAMP characters (mainly because she is pretty). CCS Sakura inevitably has become my favorite female CLAMP character and is probably one of the most iconic female majou shoujo heroines in the history of anime. Now, Kobato is a little bit older but probably has the mental capacity of someone younger than Sakura. She is loveable nonetheless because rather than being plain stupid, I find that she is just genuinely childlike and naive in an alienesque sort of way. And she's adorable. In a 'I want to pull her hair and pinch her cheeks sort of way.' I know, it's horrible. I want a younger sister like Sakura-chan that I would squeeze into a tight hug, but with Kobato, I want to tease her or something. Yes, I am very much sympathetic to Ioryogi-san.
I like how CLAMP made Sakura and Syaoran's character design reflected each other, like how Kobato and Fujimoto's designs reflect each other (with their layered hairstyle and long hair). Their colorings are even sort of similiar, but Fujimoto's eyes seem a little greener while Kobato's is a bit more hazel (I find the anime made her eyes greener than I anticipated). I find Fujimoto's character design really appealing because it's very unique for a CLAMP character to have the perfect balance between "tough cool guy" and "bishounen," and I dig his glasses and piercings juxtaposed to his gentle occupation. The most nostalgic part about the series though is the way Madhouse did the eyes of the characters so much like they did Card Captor Sakura eyes. Especially the kids looked like they would pop up in CCS.
The encounters between Fujimoto and Kobato this episode reminded me of Sakura and Syaoran's relationship in the beginning. Kobato's indignant reactions to Fujimoto's crassness was very reminiscent of Sakura's reactions to Syaoran when he was being mean. Fujimoto playing the organ reminded me of Kinomoto Touya, as well. I find Fujimoto's personality a cross between Syaoran and Touya (their love child?), while Ioryogi makes me think that Tomoyo-hime one day decided to punish Kurogane and turn him into a blue plush dog doll. They sound the same and they act the same). I adore Ioryogi-san and think he's the most badass "magical animal" sidekick any shoujo heroine has had.
Fumiko Orikasa is wonderful as usual as Sayaka and never fails to impress me with her versatility. I swear, she never sounds the same. Kobato's seiyuu is perfect for the part, albeit sounding sort of like a Clannad girl, as is Inada Tetsu as Ioryogi.
It's been a while since I've seen a "magical girl" theme anime, and forgot the doki doki sense of anticipation waiting for the potential hero to appear at the opportunate moment and the fact that they don't appear all the time. I remember going through episodes of CCS where Syaoran barely showed up or did not show up at all. And in those days, I judged how good an episode was by the role Syaoran played in it. The only episode I really enjoyed without Syaoran in it was Sakura and the Calendar of Memories, the episode about Touya and Nadeshiko and the organ. Anyhow, Fujimoto might make it to my list of top 3 favorite CLAMP males. I've only read the manga on and off, but I'm looking forward to some character development and the appearance of Okiura (Shinichiro Miki).
Thursday, October 15, 2009
Thursday, October 8, 2009
Tsubasa Reservoir Chronicles Epilogue and AMV: This is my Road
CLAMP's Tsubasa Reservoir Chronicles manga has finally come to an end. Unlike the final chapter, the epilogue is very much in line with the kind of ending I had envisage for TRC, along the lines of "and the journey will continue on." I have a feeling we'll be seeing Syaoran/Tsubasa and crew again in the future.
My favorite part of the epilogue was seeing Nadeshiko and Fujitaka again, happy and loving. At least in the Clow universe, they are alive and together (though pretty much everybody else seems to be suffering, except Touya and Yukito who are always the same, what ever world they're in). I also liked the idea of Syaoran and Watanuki's sacrifice, Syaoran to keep moving on, whereas Watanuki to stay in one place for ever. I like the simple equilibrium created. Unfortunately, something about the ending reminded me of Pirates of the Carribbean 3: At the World's End, where Will is bound to sail The Flying Dutchman as captain, which can surface only every ten years, hence he can see Elizabeth only every ten years. It's one of those cases where we already had a good ending, like the first movie which was the best of the bunch, and then everything just became messed up because of sequels. Lol. No, but I really appreciate the ending of TRC because while the previous chapter ended with a sense of bittersweet nostalgia, the epilogue at least gave us a forward-looking sense of anticipation. Almost to the point where I feel like there could sucessfully be a whole new series on the adventures of Syaoran finding Clone!Syaoran.
We finally learn Sakura and Syaoran's real names. Surprise, they have identical names as if we already do not have enough clones and Freudian warpedness running amock. But I like the thought that the name "Tsubasa" connects the two individuals and furthermore, brings new meaning to the title. I am curious what Sakura saw in her dream that makes her decide to stay in Clow (that could be any worse than anything that has already happened), but I hope it's something related to a means of getting Yuuko back. Because R!Sakura and R!Syaoran's given names are something else, somehow, I have even stronger a feeling that to me, the Clones were actually the "real" Sakura and Syaoran, especially because reincarnated C!Syaoran was alternate-universe Hong Kong Li Syaoran. Yes, it is confusing. I am going to save further analysis on the series until xxxHolic unveils some lingering questions.
Meanwhile, to celebrate (mourn?) TRC coming to an end, I have made an AMV with one my favorite new songs from the ending of the anime Guin Saga. (Many thanks to Tragrendd for introducing me!) The first time I heard the song "Saga~This is My Road," I immediately thought it fit with TRC. Hence, this came about.
The AMV is made with Sony Vega 8.0 Pro and Adobe Photoshop CS3. I didn't realize how much less painful it was editing videos with a faster processor speed. It makes me cry thinking about how long everything used to take and how many times the program crashed on my old computer and how long everything took to render. Some AMVs make good use of putting random clips together to music, but for me, I like AMVs that tell a story. I put lots of effort into the "epilogue" of the video, which are actually scenes from TRC chapter 222 and 232, one of the most beautiful chapters of the series, IMO. The lyrics of this song and the ambiance, I thought, fits TRC very well. Kanon is a very talented singer/songwriter, and this song is absolutely beautiful and haunting. There are two versions of Saga~This is My Road, Japanese and English. I prefer the Japanese version because it is more fluid and Kanon's voice really soars in that version. But I had to add in a verse from the English version because the lyrics were so resonant with TRC, especially if you read to the ending. You can find Japanese lyrics at this blog. Check out this blog for English lyrics. Because I could not find raw videos, I had a hard time clipping all the subtitles out of the episodes of TRC, Tokyo Revelations and Tsubasa Shunraiki, but I really didn't want subtitles flying about this AMV. My favorite part of the video is probably the last clip after credits, just because I like how it turned out. I colored the manga picture and animated the text, and I thought it came out nicely, and I will keep hoping that the later volumes get OVAs or TRC season 3 or something.
On a side note, I saw the premier episode of Kobato. Isn't Kobato just cute or, what? It reminds me of a good, old-school shoujo anime with a CLAMP flavor.
Wednesday, October 7, 2009
Yui Makino Concert at the New York Anime Festival 2009
As we all know, Yui Makino is the voice of our beloved Princess Sakura in the Tsubasa Reservoir Chronicles anime. Thus, when I heard she was going to be at the New York Anime Festival, I had to go just to see her. She held an hour-long concert on Saturday 26 and also did a Q&A session on Sunday, along with an autograph session.
Yui Makino's debut role as a seiyuu was Princess Sakura from Tsubasa, though she had done several anime songs before, namely Omna Magni from Sousei no Aquarion by Yoko Kanno. She said there were at least 200 people auditioning for the role of Sakura-hime. The first impression I got of her voice was perhaps childlike, pure and very pretty. I think they did a good job casting the seiyuu for Tsubasa and loved Irino Miyu as (older) Syaoran(s).
(Sakura poster signed for girl (cosplaying Vocaloid Miku) standing in front of me. Yui even drew her a picture! Cute!)After seeing Yui Makino perform live, however, my respect for her totally skyrocketed to a different level. Whoever said that she is not strong live was completely mistaken. Yui Makino was amazing during the one-hour concert. I was thrilled with that Yui Makino played the keyboard while singing her first song, "Yunagi Loop," the ending theme of Tsubasa. She also played a couple songs from her new single, which has not been released in Japan, but we were able to purchase at the NYAF. I got my copy autographed by her (see picture above).
The best song of the day was the piano version of "Amrita." I was hoping that she would play it and it was by far her strongest performance and also my own favorite Yui Makino song. Her voice was strong, sweet and emotional, as she self-accompanied herself on the keyboard. Yui Makino has been trained on the piano since age 5 and you can tell that she has a very strong classical music background. When asked what her favorite music was, she replied "Debussey and Chopin" rather than contemporary artists. I was actually able to ask her during her Q&A session what her favorite song out of her own albums was and she say "Amrita" as well. I was happy. ^_^ She mentioned her favorite American singers were the Beatles and Vanessa Carlton. (I knew she had good taste in music.)
I was a little disappointed that she didn't perform "Synchonicity" but other than that, I was left impressed by Yui Makino's concert and began looking at her more of a "musician" than a "seiyuu," someone who I think really has a bright future ahead of her. Unfortunately, I think half the audience didn't really know her songs too well. The theme song from Aria is one of her more famous songs, and I don't think people even knew that one. Either way, Yui's strongest performances were the ones where she was accompanying herself on the keyboard. But she did such a cute dance move to one of her new songs. She has a serious side and an adorable side, so I see her appealing to the popular "idol" image and also appealing to more classical music scene and continuing to collaborate with famous composers (having worked with Yuki Kajiura and Yoko Kanno is already an impressive resume).
Yui Makino is very pretty in person (prettier than photos, in my opinion) and more petite than you can imagine. She mentioned that the animal she would most be like is a cat (just like Sakura-chan in Tsubasa)! The sense I got from her is that she is quite introverted (her favorite activity is sleeping), and also that she is a serious musician rather than an "idol." She said that in the future, she would love to perform in Suntory Hall which is a concert hall in Japan that holds over 2000 seats and it is considered one of the pinnacles of a musicians career to perform there.
My favorite part about the Q&A session is when Yui Makino was asked if she enjoyed karaoke, and she replied that the CLAMP-sensei-tachi took her to karaoke and made her sing her own songs. It was very cute. And she mentioned that the kimono she wore the the Paris Anime Expo was borrowed from Mokona-sensei (famous for her large collection of beautiful kimono.) It made me sort of fangirl squeal thinking how wonderful it would be to be so close with CLAMP (and how like them to make Yui Makino sing her own songs as karaoke). She also went to watch the Phantom of the Opera on Broadway. This made me sort of nostalgic for the "New York Arc" of the New Trials of Card Captor Sakura.
Over all, I felt that seeing Yuki Makino was almost like seeing Sakura-hime in person. Or at least hearing her voice a whole lot, anyhow. (Her real voice is not as high and childish but once in a while she would say cute phrases which made her sound a bit like Sakura). I would say the New York Comic Con is a stronger convention on the whole, but my first time at New York Anime Fest was a good experience (because of Yui Makino being the guest of honor); the crowd was younger in general, a bit more rambunctious, and I was impressed by the high quality of the cosplayers. I even saw a Sakura and Syaoran (Card Captor Sakura version). I had several people ask to take pictures of/with me as well. FYI, I wasn't dressed up like any character but was going for a schoolgirl look my first day and a sort of dark Misa-Misa inspired version of that look the second day. There were less Bleach and Naruto cosplays than I expected (not saying there weren't a lot anyway), and lots of Vocaloids, namely Miku and the Kagamine twins. Lots of Yoko cosplays from Guuren Lagen, L from Death Note and many many maids and lolitas everywhere. I was impressed how in character some people were. Oh, and I even met for the first time a CCS fanfiction reader who's heard of my penname. Lol.
Picture I sketched on the spot of Sakura on a thank you note to Yui Makino that I gave to her for the CD signing:
Check out Yui Makino's new single (my autographed copy pictured above!) Check out outtakes from her interview that I recorded for your viewing pleasure so that we can share more of her quirky cuteness with everyone!
Wednesday, September 30, 2009
Tsubasa Reservoir Chronicles Chapter 232: The End?
Spoilers...
How should I put it... This ending leaves a lot more wanting. I had a firm belief that Tsubasa could become and epic manga or it could become a huge disappointment for me simply because I have invested so much in the characters of "Sakura" and "Syaoran" since Card Captor Sakura days. Either way, I'll refrain from making a final judgment until I see the final epilogue chapter and how xxxHolic unfolds.
Ever since the whole Clone controversy began, I began to feel a little cheated. Because Tsubasa has been the story of the clone's journey. I haven't followed Tsubasa that carefully and I think it could do some good to read everything through without all the interruptions.
There are lots of parallels between TRC and some Jungian principles; I recommend Carl Jung's Synchronicity as a start. Hence, I feel confused when I read TRC whether there is deeper meaning or whether the ending is simply rushed or there is just a lot of explaining to be found in xxxHolic.
Maybe it was naive of me to think there could be a happy ending for the clones. I knew clone Sakura and Syaoran meeting in the alternate modern day Hong Kong world in Chapter 222 was too good to be true. My heart broke a little bit in Chapter 223 when I learned that Syaoran's surname in that world was also Li. I think CLAMP indicates that the memories of the Clones will live on through real Sakura and Syaoran, hence they are not truly gone. But then, they are gone and at the end of the day, while I initially thought that Tsubasa was a manga about the epic journey of a boy who wants to recover the memories of his most beloved person, it is actually the story of a glitch in time, the story of how duplicates of the real Sakura and Syaoran escape from an infinite loop. It was never a story about characters but rather archetypes. I have a feeling we'll probably be seeing the vampire twins (they'll probably get their own spin off someday) and KuroFai in the future (truthfully, I feel more sorry for these two than anyone else in the manga--they lose arms and eyeballs and find out that their travel buddies are clones that disappear in the end, not to mention that they've had quite crappy childhoods on top of that).
From the beginning, I decided to differentiate between CCS!Sakura and Syaoran and TRC!Sakuras and Syaorans. I don't know why CLAMP wrote this manga. I initially thought it was fanservice, reintroducing characters we knew in a big, grand universe and showing us the interlinking of CLAMP worlds. The second half of TRC seemed to then twist into a torture-fest of how much we can make our main characters suffer as much as possible. I can't tell if this ending is the true ending that CLAMP intended for TRC (though obviously we'll understand more through xxxHolic), or whether they just grew tired of this project and wanted to move on to other projects (that would likely get a more decent animation production).
I read TRC eagerly to see glimmers of further insight of characters I am familiar with. Truthfully, though TRC!S+S are not CCS!S+S, nonetheless, this story has made me reevaluate the dynamic between Sakura and Syaoran. I'm not sure I can ever look at the beautiful ending of the CCS manga where junior high Sakura and Syaoran hug, finally reunited without thinking of a very similar composition in TRC where clone Sakura and Syaoran are reunited in Hong Kong. Furthermore, it is indicated throughout TRC that CCS!Sakura and Syaoran are aware how much suffering their alternate world alter-egos are undergoing.
I've been working on a TRC AMV recently, but now I feel like I'm going to cry if I see poor S+S.
Anyhow, does anybody feel like it's time for some Kobato-healing?
Wednesday, September 16, 2009
xxxHolic 籠 186 Review
SPOILERS>>>>> XXXholic Rou (Cage) again with the bird in a cage analogy...
Wow, I really was not expecting a time jump. It's strange seeing how much Watanuki has changed, especially when he's lying Yuuko style on her couch, wearing a draping kimono and smoking a pipe in this languid, laid back manner that you never saw from him before. I keep thinking back to how Watanuki was such an irritable, cranky, slightly boisterous and very silly boy. His eyes were so expressionless in that panel that it was rather heartbreaking, and I constantly applaud CLAMP's artistic execution of the full two-page spread of the "new Watanuki" to give us the full impact and also eye-candy. It is like Watanuki has taken on as much of Yuuko's characteristics in order to keep her alive within himself.
The bright side of this chapter was Doumeki's appearance and his interactions with Watanuki evokes the faint traces of the old Kimihiro Watanuki that still remains in him. Doumeki is now a folklore major? It was funny because I thought the same thing as Watanuki; that image really doesn't fit Doumeki but also reality hits how four years have already passed in the world outside. People outside are changing, developing, but Watanuki is forever trapped in one moment in time, in one mindset, with one strong desire. I'm personally very interested in Doumeki's folklore professor. Who knows if there is anything significant about this professor or not. Of course, our favorite CLAMP professor will always remain Kinomoto Fujitaka aka Clow Reed's half-reincarnation. But again, there is the painful reality that time outside of Yuuko's house is moving and shifting but for Watanuki, he is always trapped inside that house frozen in time, just waiting. It reminds me of poor Syaoran trapped inside the glass cylinder with his time and freedom sacrificed. It's also reminiscent of Princess Emeraude from Magic Knight Rayearth who was so lonely and trapped because of Rayearth's pillar system. Hence "cage" I guess.
Tsubasa Reservoir Chronicles is coming to an end very soon with only a few chapters left. I'm actually surprised it's ending so soon because I feel like there are so many loose ends to tie, and I was hoping that all the numerous characters would be able to get some resolution. Unfortunately, I feel like Kurogane and Fai have only become a backdrop to the whole Sakura and Syaoran plotline. The part of Tsubasa that I actually enjoyed the most were the little character interactions in between all the chaos like Fai and Sakura's mutual understanding (Fai is like the sister Sakura never had in my mind) or Kurogane and Syaoran's mentor and student relationship. I'm hoping that Tsubasa ends with a satisfying conclusion. I have a feeling that it will be XXXholic's role to tie all the loose ends that Tsubasa does not manage to tie up. I'm just going to trust CLAMP to let the stories come to a fitting end without fans having to rip their hairs out in agony.
On a side note, I finally watched the XXXholic Shunraiki OVAs, and I was sort of peeved at the difference in animation quality between XXXholic and the Tsubasa Reservoir Chronicles Shunraiki, especially because of the overlapping scene in the dream world. I have to admit, the battle between Syaoran and Syaoran in Tsubasa Shuraiki OVA 2 was awesome. But all the budget seems to have just gone to that particular scene. Also, I loved all the Tomoyo and Kurogane interactions. It makes me wonder if the rest of Tsubasa would ever get animated properly. It's a pity because Tsubasa could have become an epic anime with the right direction, supervision and budget.
I have high expectations from XXXholic's ending because for me Tsubasa was all about chaos and in-your-face shocking plot devices whereas XXXholic's strength was its restraint, gradual character development and the unique strange, artistically melancholy and mysterious ambiance of the manga. I wonder if we'll get a time jump in Tsubasa at one point as well. I'm still waiting for CCS!Syaoran and Sakura's appearance before the end of the series. It's a problem when I'm looking more forward to getting lots of pretty Sakura and Syaoran artwork in the next couple chapters than having a happy resolution. I'm also waiting for Clow Reed to make an appearance, and even more so waiting to learn that Watanuki actually becomes Clow Reed in the future and we'll have a big incestuous circle of S+S being Wata's parents, and Wata/Clow Reed being Clone!Sakura's father and we get an impossible eternal loop. Lol. I'm joking. Half. After all, I'm a fanfiction writer. It's just that as I was coloring Watanuki in this particular frame, I thought how much he resembled Eriol-kun. Anyway, who else thinks Watanuki aged very well? ^_^
Oh well, if all fails, then I'll just eagerly await glimpses of Kinomoto Touya in the upcoming Kobato anime. ^_^
Wow, I really was not expecting a time jump. It's strange seeing how much Watanuki has changed, especially when he's lying Yuuko style on her couch, wearing a draping kimono and smoking a pipe in this languid, laid back manner that you never saw from him before. I keep thinking back to how Watanuki was such an irritable, cranky, slightly boisterous and very silly boy. His eyes were so expressionless in that panel that it was rather heartbreaking, and I constantly applaud CLAMP's artistic execution of the full two-page spread of the "new Watanuki" to give us the full impact and also eye-candy. It is like Watanuki has taken on as much of Yuuko's characteristics in order to keep her alive within himself.
The bright side of this chapter was Doumeki's appearance and his interactions with Watanuki evokes the faint traces of the old Kimihiro Watanuki that still remains in him. Doumeki is now a folklore major? It was funny because I thought the same thing as Watanuki; that image really doesn't fit Doumeki but also reality hits how four years have already passed in the world outside. People outside are changing, developing, but Watanuki is forever trapped in one moment in time, in one mindset, with one strong desire. I'm personally very interested in Doumeki's folklore professor. Who knows if there is anything significant about this professor or not. Of course, our favorite CLAMP professor will always remain Kinomoto Fujitaka aka Clow Reed's half-reincarnation. But again, there is the painful reality that time outside of Yuuko's house is moving and shifting but for Watanuki, he is always trapped inside that house frozen in time, just waiting. It reminds me of poor Syaoran trapped inside the glass cylinder with his time and freedom sacrificed. It's also reminiscent of Princess Emeraude from Magic Knight Rayearth who was so lonely and trapped because of Rayearth's pillar system. Hence "cage" I guess.
Tsubasa Reservoir Chronicles is coming to an end very soon with only a few chapters left. I'm actually surprised it's ending so soon because I feel like there are so many loose ends to tie, and I was hoping that all the numerous characters would be able to get some resolution. Unfortunately, I feel like Kurogane and Fai have only become a backdrop to the whole Sakura and Syaoran plotline. The part of Tsubasa that I actually enjoyed the most were the little character interactions in between all the chaos like Fai and Sakura's mutual understanding (Fai is like the sister Sakura never had in my mind) or Kurogane and Syaoran's mentor and student relationship. I'm hoping that Tsubasa ends with a satisfying conclusion. I have a feeling that it will be XXXholic's role to tie all the loose ends that Tsubasa does not manage to tie up. I'm just going to trust CLAMP to let the stories come to a fitting end without fans having to rip their hairs out in agony.
On a side note, I finally watched the XXXholic Shunraiki OVAs, and I was sort of peeved at the difference in animation quality between XXXholic and the Tsubasa Reservoir Chronicles Shunraiki, especially because of the overlapping scene in the dream world. I have to admit, the battle between Syaoran and Syaoran in Tsubasa Shuraiki OVA 2 was awesome. But all the budget seems to have just gone to that particular scene. Also, I loved all the Tomoyo and Kurogane interactions. It makes me wonder if the rest of Tsubasa would ever get animated properly. It's a pity because Tsubasa could have become an epic anime with the right direction, supervision and budget.
I have high expectations from XXXholic's ending because for me Tsubasa was all about chaos and in-your-face shocking plot devices whereas XXXholic's strength was its restraint, gradual character development and the unique strange, artistically melancholy and mysterious ambiance of the manga. I wonder if we'll get a time jump in Tsubasa at one point as well. I'm still waiting for CCS!Syaoran and Sakura's appearance before the end of the series. It's a problem when I'm looking more forward to getting lots of pretty Sakura and Syaoran artwork in the next couple chapters than having a happy resolution. I'm also waiting for Clow Reed to make an appearance, and even more so waiting to learn that Watanuki actually becomes Clow Reed in the future and we'll have a big incestuous circle of S+S being Wata's parents, and Wata/Clow Reed being Clone!Sakura's father and we get an impossible eternal loop. Lol. I'm joking. Half. After all, I'm a fanfiction writer. It's just that as I was coloring Watanuki in this particular frame, I thought how much he resembled Eriol-kun. Anyway, who else thinks Watanuki aged very well? ^_^
Oh well, if all fails, then I'll just eagerly await glimpses of Kinomoto Touya in the upcoming Kobato anime. ^_^
Friday, August 14, 2009
Card Captor Sakura Fanart - Let's Go to the Beach!!!
Cardcaptor Sakura Summer Lovin by ~wishluv on deviantART
My first fanart on my new laptop! I would rather work off a full monitor, and I find laptop widescreen monitors annoying to work on because I feel like they're shorter. But then my painting programs were not freezing up on me every other minute, so that was awesome--I would not have been able to draw a picture this big on my old laptop without it crashing up.
The theme is "Summer Lovin' "-- I wanted to capture a breezy beach full of sunlight. I guess this is more of a Card Captor Sakura fanart than a New Trials one, but you should spot two familiar faces from the New Trials scene. :) I wanted to draw everyone happy and carefree for a change. The inspiration for this pic is CCS episode 17 (?) where Sakura is repeating "Umi umi umi" over and over again because she's so excited to go to the beach. Ah, she used to be so adorable. I wanted to draw Eriol and crew as well, but he wasn't there when Meilin was, unfortunately. And young Miho and Mikai are playing in the background, not knowing Sakura and crew at all.
Wednesday, August 5, 2009
Ten Best Anime Ending Theme Songs
My top ten favorite anime ending songs in no particular order and not complete by any means. I went more for a survey of good anime ending themes out there that might not always be the best known (or may be very popular already.) I think I cover a wide range of anime between shoujo, shounen, jousei and mecha.
1. I love it when the first chords of the ending song kick into the end of the anime episode. The quintessential example of this of Fushigi Yuugi's ending "Tokimeki no Doukousen," especially with the ending of the first episode which gave me the feeling, ah this anime is going to be epic. The Yuu Watase manga illustration at the end was beautiful as well. Note: I have not watched the anime nor read the manga in its entirety and still plan to one day.
2. Full Metal Alchemist is noted for its great music, and if I could, I would include all the songs in my list. If had to pick my top (and it's a real hard choice), I would pick FMA's second ending theme Yellow Generation's "Tobira no Mukou E" because I love the way the beginning of the song kicks in at the end of the episode, which gives me a tingling sense of anticipation. I didn't really fall for FMA until the mid-teen episodes, and then rapidly, before I knew it, I was hooked. Oddly enough, Crystal Kay's "Motherland" is probably overall the crowd's least favorite ED, but it's the most re-listenable one and is a constant on my playlist, more so than most other songs. FMA did the progression of ending themes very well from the angsty and slightly bitter-toned Nana Kitade song "Kesenai Tsumi" or "Inerasable Sin" (I love the acoustic raw-breath version even more), the frustration and desperation felt in Tobira with it's opening lyrics, "The two of us are screaming, even now" (paired with music that is somewhat forward-looking and ends with a sense of hope), the nostalgic "Motherland" and finally the wistful Sowelu's "I Will." I found the last image in the ED 2 video very poignant, when the snowflake melts from the warmth of Ed's real hand and doesn't in his metal arm.
3. Honey and Clover 1st ending Sunohair's "Waltz" just pairs one of my favorite ending songs with my favorite anime. One of Honey and Clover's winning points (besides great character, plot, comedy drama and animation) is music, since it was named after to albums. Especially since the first half of season 1is so much more light-hearted than the rest of the series, this ending just embodies hope and youth. (And yes, I love it when the first chords of the ending kicks in at the end.)
4. Detective Conan Ending 17 - "Overture" by Inaba Koshi (of B'z). Yes, this is the song I really fell in love with B'z, who have done other Detective Conan related music. There are songs that the first time you hear it, it sense shivers down your spine. It was once said that Inaba Koshi's voice is one of Japan's national treasures, and I whole-heartedly agree. Matsumoto Tak and Inaba Koshi are really a dream combination. Overall, Detective Conan boasts an awesome OP and ED collection--sometimes I like the animations of the OP and ED even better than the story because they're angsty and more romantic than the actual series.
5. Full Moon wo Sagashite is a music anime so inevitably the music has to be good. I loved all of Changin' My Life's songs for this anime and Myco truly made "Mitsuki" shine. My favorite songs, if I had to pick one, would be first ending "Myself" (though my ultimate favorite would be Route L version of "Eternal Snow," which I wish was longer and recorded with better acoustics.) Nonetheless, I pick for best ending "New Future" because I just love how they use the song in the last episode and it ties the whole anime together-- it really brought tears to my eyes. And I loved how Tanemura Arina tied in the "New Future" lyrics in volume 7 of the manga. Anyhow, love them all.
6. Naruto's 1st ending theme Wind by Akeboshi. I know it's a cliched choice, yet is there any other subsequent ending theme that fits "Naruto" so well? I personally find this one of the most beautiful and poignant anime ending themes ever, the way it starts out with the flute, the vocals kick in, even the wispy animation. This was my first introduction to Akeboshi, and I fell in love with his music and lyrics. They are simple yet so poignant, and Japanese mixed in with a Celtic flair was very refreshing from the typical pop scene. I really like "Yellow Moon" as well which has been on my playlist quite frequently. Someday, I will catch up with Naruto Shippuden.
7. Wolf's Rain - "Gravity" by Maaya Sakamoto. You can't go wrong with Maaya meets Yoko Kanno, and this song, with complete English lyrics is a hauntingly memorable ending. I haven't watched the anime yet, and the ending sequence animation is boring, but I love the ending. I first heard just a short clip of the song at the end of an anime and then set out on a quest to find the song--I didn't even realize it was a Japanese anime song let alone Maaya.
8. Beck Mongolian Chop Squad Ending 2: Sowelu - "Moon on the Water." Good songs bring you back to the moment you hear them. The first time I heard the acapella duet between "Koyuki" and "Maho," it was 5 am sophomore year of college on the day we had to sign up for courses online for the spring semester at 8 am sharp (yes, it was a battle of speed), and I had not yet decided my classes. I was procrastinating and began watching Beck, and I still remember the shiver I felt down my spine when I heard the guitar strumming in and the clarity of Sowelu's voice (of course, I didn't know she was the singing voice of Maho then.)
9. Inuyasha - Do As Infinity - "Fukai Mori." DAI was one of my earliest J-pop hooks, and this probably is my favorite DAI song. Inuyasha, like many Shounen Jump anime, has great songs. Ending 4 Boa's "Every Heart" is also a favorite.
10. Nodame Cantabile's 1st ending "Konna Chikan de..." Yes, this song does it too--I love it when the beginning notes kick in at the end of the episode--this song gives me a warm, fuzzy feeling, and the lyrics are so cute too. (Makes you nostalgic hearing Tomokazu Seki aka Kinomoto Touya as Chiaki-senpai. Their personalities are actually surprisingly similar, down to the violin-playing. Lol.
Other notable anime ending themes.
Mahoujin Guru Guru - "Wind Climbing" I first heart the ending done in Korean, and the song is strangely memorable though anime itself is cute and silly. It still retains much popularity in Japan as well, it seems, according to polls.
Bleach ending 3 - Youhna - "Houki Boushi" The singer is actually Korean, and though I was introduced to her because of Bleach, I enjoy her Korean songs as well--she is talented and a breath of fresh air in the K-pop scene. I especially love this ending because the animation changed each episode to match a division. How awesome is that? Bleach, like FMA, boasts an awesome repertoire of theme songs, (unlike Naruto which is a hit or miss for me.)
Macross Frontier Ending 1 - May'n - "Diamond Crevasse." Since Macross is mecha music anime meets Yoko Kanno, of course it should have a spot on the list. I loved many songs on the soundtrack; I personally prefer Megumi's voice to May'n's voice, and my favorite song is "Ao no Ether." But Diamond Crevasse, I believe, is THE song of Macross. I love all subsequent versions of it.
Nana Ending 1 - Olivia's aka Reira's "A Little Pain." I think it's the best song of the bunch in another music-centric anime.
K-on Ending 1 - "Don't Say Lazy," which I don't think needs anymore pimping than the hype it has already gotten.
Slam Dunk Ending 2 Wands - "Sekai ga Owaru Made Wa"
Saint Tail Ending 1 - "Junshin "
Rurouni Kenshin Ending 3 - T.M. Revolution - "Heart of Sword."
Lastly, the Fancy Lala Ending Theme. The plotline is the typical young girl transformed into older popstar story. There was nothing outstanding about this anime (which was supposedly overshadowed by the reigning shoujo anime of the time, Card Captor Sakura). It is a typical coming of age story, but the last episode which segued into the ending theme really made this anime linger longer than just another typical magical shoujo anime. I actually prefer the Korean dub of the song, which is rare for me.
Favorite opening themes I think would be easier to do because openings have bigger animation budgets usually and need to capture the audience and are better publicized/ easier for me to recall. I feel like anime OPs should draw you in, and I do value good opening theme animation sequences. But with ending themes, I like songs that gives you a lingering sense after the episode has ended (hence oftentimes the more ballady ending themes in contrast with upbeat openings). With my favorite songs, I think there is a pattern of a. music animes, b. shounen anime c. anime I watched as a child d. anything involving Yoko Kanno or Maaya Sakamoto or both. You will see this pattern manifested more in the next list I make. ^_^
1. I love it when the first chords of the ending song kick into the end of the anime episode. The quintessential example of this of Fushigi Yuugi's ending "Tokimeki no Doukousen," especially with the ending of the first episode which gave me the feeling, ah this anime is going to be epic. The Yuu Watase manga illustration at the end was beautiful as well. Note: I have not watched the anime nor read the manga in its entirety and still plan to one day.
2. Full Metal Alchemist is noted for its great music, and if I could, I would include all the songs in my list. If had to pick my top (and it's a real hard choice), I would pick FMA's second ending theme Yellow Generation's "Tobira no Mukou E" because I love the way the beginning of the song kicks in at the end of the episode, which gives me a tingling sense of anticipation. I didn't really fall for FMA until the mid-teen episodes, and then rapidly, before I knew it, I was hooked. Oddly enough, Crystal Kay's "Motherland" is probably overall the crowd's least favorite ED, but it's the most re-listenable one and is a constant on my playlist, more so than most other songs. FMA did the progression of ending themes very well from the angsty and slightly bitter-toned Nana Kitade song "Kesenai Tsumi" or "Inerasable Sin" (I love the acoustic raw-breath version even more), the frustration and desperation felt in Tobira with it's opening lyrics, "The two of us are screaming, even now" (paired with music that is somewhat forward-looking and ends with a sense of hope), the nostalgic "Motherland" and finally the wistful Sowelu's "I Will." I found the last image in the ED 2 video very poignant, when the snowflake melts from the warmth of Ed's real hand and doesn't in his metal arm.
3. Honey and Clover 1st ending Sunohair's "Waltz" just pairs one of my favorite ending songs with my favorite anime. One of Honey and Clover's winning points (besides great character, plot, comedy drama and animation) is music, since it was named after to albums. Especially since the first half of season 1is so much more light-hearted than the rest of the series, this ending just embodies hope and youth. (And yes, I love it when the first chords of the ending kicks in at the end.)
4. Detective Conan Ending 17 - "Overture" by Inaba Koshi (of B'z). Yes, this is the song I really fell in love with B'z, who have done other Detective Conan related music. There are songs that the first time you hear it, it sense shivers down your spine. It was once said that Inaba Koshi's voice is one of Japan's national treasures, and I whole-heartedly agree. Matsumoto Tak and Inaba Koshi are really a dream combination. Overall, Detective Conan boasts an awesome OP and ED collection--sometimes I like the animations of the OP and ED even better than the story because they're angsty and more romantic than the actual series.
5. Full Moon wo Sagashite is a music anime so inevitably the music has to be good. I loved all of Changin' My Life's songs for this anime and Myco truly made "Mitsuki" shine. My favorite songs, if I had to pick one, would be first ending "Myself" (though my ultimate favorite would be Route L version of "Eternal Snow," which I wish was longer and recorded with better acoustics.) Nonetheless, I pick for best ending "New Future" because I just love how they use the song in the last episode and it ties the whole anime together-- it really brought tears to my eyes. And I loved how Tanemura Arina tied in the "New Future" lyrics in volume 7 of the manga. Anyhow, love them all.
6. Naruto's 1st ending theme Wind by Akeboshi. I know it's a cliched choice, yet is there any other subsequent ending theme that fits "Naruto" so well? I personally find this one of the most beautiful and poignant anime ending themes ever, the way it starts out with the flute, the vocals kick in, even the wispy animation. This was my first introduction to Akeboshi, and I fell in love with his music and lyrics. They are simple yet so poignant, and Japanese mixed in with a Celtic flair was very refreshing from the typical pop scene. I really like "Yellow Moon" as well which has been on my playlist quite frequently. Someday, I will catch up with Naruto Shippuden.
7. Wolf's Rain - "Gravity" by Maaya Sakamoto. You can't go wrong with Maaya meets Yoko Kanno, and this song, with complete English lyrics is a hauntingly memorable ending. I haven't watched the anime yet, and the ending sequence animation is boring, but I love the ending. I first heard just a short clip of the song at the end of an anime and then set out on a quest to find the song--I didn't even realize it was a Japanese anime song let alone Maaya.
8. Beck Mongolian Chop Squad Ending 2: Sowelu - "Moon on the Water." Good songs bring you back to the moment you hear them. The first time I heard the acapella duet between "Koyuki" and "Maho," it was 5 am sophomore year of college on the day we had to sign up for courses online for the spring semester at 8 am sharp (yes, it was a battle of speed), and I had not yet decided my classes. I was procrastinating and began watching Beck, and I still remember the shiver I felt down my spine when I heard the guitar strumming in and the clarity of Sowelu's voice (of course, I didn't know she was the singing voice of Maho then.)
9. Inuyasha - Do As Infinity - "Fukai Mori." DAI was one of my earliest J-pop hooks, and this probably is my favorite DAI song. Inuyasha, like many Shounen Jump anime, has great songs. Ending 4 Boa's "Every Heart" is also a favorite.
10. Nodame Cantabile's 1st ending "Konna Chikan de..." Yes, this song does it too--I love it when the beginning notes kick in at the end of the episode--this song gives me a warm, fuzzy feeling, and the lyrics are so cute too. (Makes you nostalgic hearing Tomokazu Seki aka Kinomoto Touya as Chiaki-senpai. Their personalities are actually surprisingly similar, down to the violin-playing. Lol.
Other notable anime ending themes.
Mahoujin Guru Guru - "Wind Climbing" I first heart the ending done in Korean, and the song is strangely memorable though anime itself is cute and silly. It still retains much popularity in Japan as well, it seems, according to polls.
Bleach ending 3 - Youhna - "Houki Boushi" The singer is actually Korean, and though I was introduced to her because of Bleach, I enjoy her Korean songs as well--she is talented and a breath of fresh air in the K-pop scene. I especially love this ending because the animation changed each episode to match a division. How awesome is that? Bleach, like FMA, boasts an awesome repertoire of theme songs, (unlike Naruto which is a hit or miss for me.)
Macross Frontier Ending 1 - May'n - "Diamond Crevasse." Since Macross is mecha music anime meets Yoko Kanno, of course it should have a spot on the list. I loved many songs on the soundtrack; I personally prefer Megumi's voice to May'n's voice, and my favorite song is "Ao no Ether." But Diamond Crevasse, I believe, is THE song of Macross. I love all subsequent versions of it.
Nana Ending 1 - Olivia's aka Reira's "A Little Pain." I think it's the best song of the bunch in another music-centric anime.
K-on Ending 1 - "Don't Say Lazy," which I don't think needs anymore pimping than the hype it has already gotten.
Slam Dunk Ending 2 Wands - "Sekai ga Owaru Made Wa"
Saint Tail Ending 1 - "Junshin "
Rurouni Kenshin Ending 3 - T.M. Revolution - "Heart of Sword."
Lastly, the Fancy Lala Ending Theme. The plotline is the typical young girl transformed into older popstar story. There was nothing outstanding about this anime (which was supposedly overshadowed by the reigning shoujo anime of the time, Card Captor Sakura). It is a typical coming of age story, but the last episode which segued into the ending theme really made this anime linger longer than just another typical magical shoujo anime. I actually prefer the Korean dub of the song, which is rare for me.
Favorite opening themes I think would be easier to do because openings have bigger animation budgets usually and need to capture the audience and are better publicized/ easier for me to recall. I feel like anime OPs should draw you in, and I do value good opening theme animation sequences. But with ending themes, I like songs that gives you a lingering sense after the episode has ended (hence oftentimes the more ballady ending themes in contrast with upbeat openings). With my favorite songs, I think there is a pattern of a. music animes, b. shounen anime c. anime I watched as a child d. anything involving Yoko Kanno or Maaya Sakamoto or both. You will see this pattern manifested more in the next list I make. ^_^
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